Splendid White

6/2/2022–1/8/2023

WHITE WEDDING
SOON COMPLETE!

The Reiner Winkler
Ivory Collection
at the Liebieghaus

Please note:
Due to renovation work, the collection presentation “White Wedding” will not be accessible from 26 April to 1 June 2022. As of 2 June, the Reiner Winkler Ivory Collection will once again be on view as part of the follow-up exhibition “Splendid White”.

About the exhibition

A few years ago, the Liebieghaus Skulpturensammlung succeeded in making the most significant addition to its own holdings in the history of the museum: a collection of precious ivory sculptures of the Baroque and Rococo periods from the estate of the patron Reiner Winkler (1925–2020). The Ernst von Siemens Kunststiftung, the Städelsche Museums-Verein, and the Städel Museum, with the support of the Kulturstiftung der Länder and the Hessische Kulturstiftung, acquired this unique collection, which was made possible in the first place by Reiner Winkler’s generous donation of the majority of the collection.

Since then, masterpieces by world-famous sculptors, such as “Fury on a Charging Horse” (1610), “The Three Parcae” (ca. 1670), “Chronos on the Globe” (ca. 1720/25?), and the “Allegory of Damnation in Hell (Anima Dannata?)” (1736) have been on display at the Liebieghaus in the exhibition “White Wedding.”

White Wedding soon complete

With the exhibition and new collection presentation “Splendid White,” the Reiner Winkler Ivory Collection at the Liebieghaus is now complete: as of 2 June 2022, more than 200 historical ivory works will be presented – including a further twenty-one outstanding works of art that remained in the private collection of Reiner Winkler until his death and are now accessible to the public for the first time. In the new collection presentation, the beauty, virtuosity, and richness of variation of baroque ivory carving can be experienced in an impressive way. The last works of art to be displayed and hung in the patron’s private home, including portrait medallions, large-format reliefs with Christian religious motifs and genre scenes, as well as an impressive combination figure, add essential exhibits to the previous collection presentation at the Liebieghaus.

Worth Knowing

About the Reiner Winkler Ivory Collection

Over the course of decades, the collector and patron Reiner Winkler (1925–2020) compiled a private collection of ivory sculptures with a focus on Baroque objects. Winkler built up his collection continuously from 1962 onwards. After a few years of collecting sculptures in various materials and from different periods, he soon concentrated entirely on ivory sculptures of the 17th and 18th centuries, and to a very small extent of the early 19th century.

Winkler was closely associated with the Liebieghaus Skulpturensammlung and provided the museum with loans for exhibitions on several occasions. At the Liebieghaus, his collection will now find “its new and permanent home” and will thus be preserved “as a ‘Gesamtkunstwerk,’” as Reiner Winkler wished and expressed himself on the occasion of the acquisition in 2019. The unique collection expanded the Liebieghaus’ own internationally important holdings at the highest level. The acquisition also established European ivory art as the central focus of the Liebieghaus’ Baroque and Rococo department – a focus that has since been intensively researched and didactically communicated.